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Courts employed virtuoso performers, both singers and instrumentalists.
Music also became more self-sufficient with its availability in printed form, existing for its own sake.
Early forms of modern woodwind and brass instruments like the bassoon and trombone also appeared; extending the range of sonic color and increasing the sound of instrumental ensembles.
During the 15th century, the sound of full triads (three note chords) became common, and towards the end of the 16th century the system of church modes began to break down entirely, giving way to the functional tonality (the system in which songs and pieces are based on musical "keys"), which would dominate Western art music for the next three centuries.
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Consensus among music historians has been to start the era around 1400, with the end of the medieval era, and to close it around 1600, with the beginning of the Baroque period, therefore commencing the musical Renaissance about a hundred years after the beginning of the Renaissance as it is understood in other disciplines.Relative political stability and prosperity in the Low Countries, along with a flourishing system of music education in the area's many churches and cathedrals allowed the training of large numbers of singers, instrumentalists, and composers.These musicians were highly sought throughout Europe, particularly in Italy, where churches and aristocratic courts hired them as composers, performers, and teachers.Secular music (non-religious music) absorbed techniques from sacred music, and vice versa.
Popular secular forms such as the chanson and madrigal spread throughout Europe.
From the Renaissance era, notated secular and sacred music survives in quantity, including vocal and instrumental works and mixed vocal/instrumental works.